<?xml version='1.0' encoding='UTF-8'?><rss xmlns:atom='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' version='2.0'><channel><atom:id>tag:blogger.com,1999:blog-35703297</atom:id><lastBuildDate>Sun, 28 Sep 2008 13:33:17 +0000</lastBuildDate><title>Olsson's: Classical Corner</title><description>Olsson's is a locally Owned &amp; Operated, Independent chain of six book and recorded music stores in the Washington, D.C. area, started by John Olsson in 1972. Cate Hagman worked at Olsson's Bethesda store and focused particularly on classical music. Since 1995 she has been a political transcriber for a local independent newswire. Each week she blogs about classical CD releases and classic films on DVD.</description><link>http://www.olssons.com/classicalcorner/</link><managingEditor>noreply@blogger.com (Webmaster)</managingEditor><generator>Blogger</generator><openSearch:totalResults>94</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-35703297.post-6493861748719439757</guid><pubDate>Mon, 22 Sep 2008 20:40:00 +0000</pubDate><atom:updated>2008-09-24T23:20:38.613-05:00</atom:updated><title>You Say You Want a Revolution</title><atom:summary type='text'>DVD:  John Adams

Anybody can play the president, Paul Giamatti noted when he picked up an Emmy Award for his portrayal of the title character in the series John Adams.  That observation gets one to thinking about the casting decisions reached for earlier presidential biopics -- quickly now, which presidents did Anthony Hopkins and Kenneth Branagh play? -- as well as how well or poorly our </atom:summary><link>http://www.olssons.com/classicalcorner/2008/09/you-say-you-want-revolution.html</link><author>noreply@blogger.com (Cate Hagman)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-35703297.post-982916108991009330</guid><pubDate>Sat, 13 Sep 2008 16:36:00 +0000</pubDate><atom:updated>2008-09-18T00:01:48.314-05:00</atom:updated><title>A Little Traveling Music, Please.</title><atom:summary type='text'>
CD:  Joshua Bell with the Academy of St. Martin in the Fields:  Vivaldi:  The Four Seasons

Test your memory:  Name every violinist you can think of who's made his or her own recording of Vivaldi's Four Seasons.  It's a long, healthy, and varied list:   Sarah Chang, Fabio Biondi, Janine Jansen, Gidon Kremer, Gil Shaham.  There was even a four-for-one effort on Deutsche Grammophon, featuring </atom:summary><link>http://www.olssons.com/classicalcorner/2008/09/little-traveling-music-please.html</link><author>noreply@blogger.com (Cate Hagman)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-35703297.post-5131869363747340341</guid><pubDate>Sun, 07 Sep 2008 18:57:00 +0000</pubDate><atom:updated>2008-09-11T00:30:56.064-05:00</atom:updated><title>"Ladies, it is time for a change."</title><atom:summary type='text'>
DVD:  Cranford



Oh, what fortuitous timing in the release of the DVD of Cranford, the wonderfully watchable, witty BBC miniseries adapted from several novels by Elizabeth Gaskell.

If you pick up a newspaper these days -- okay, open a website -- you'll encounter discussion of change, uncertainty, and anxiety about where we're going as a society.  So you might ask why I'd be recommending tales </atom:summary><link>http://www.olssons.com/classicalcorner/2008/09/ladies-it-is-time-for-change.html</link><author>noreply@blogger.com (Cate Hagman)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-35703297.post-6591569743028749396</guid><pubDate>Mon, 01 Sep 2008 22:56:00 +0000</pubDate><atom:updated>2008-09-04T08:02:54.263-05:00</atom:updated><title>Get Out Your Handkerchiefs</title><atom:summary type='text'>CDs:Georg Solti/Orchestra of the Royal Opera House, Covent Garden, with Angela Gheorghiu and Frank Lopardo: Verdi: La Traviata
Carlos Kleiber/Bayerisches Staatsorchester with Ileana Cotrubas and Placido Domingo: Verdi: La Traviata
Back in the days before surtitles, when the thing to do before the matinee was take out Mom's LP and acquaint yourself with the material, I went to see my first opera </atom:summary><link>http://www.olssons.com/classicalcorner/2008/09/get-out-your-handkerchiefs.html</link><author>noreply@blogger.com (Cate Hagman)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-35703297.post-3558678932948589074</guid><pubDate>Wed, 27 Aug 2008 02:38:00 +0000</pubDate><atom:updated>2008-08-28T08:20:24.750-05:00</atom:updated><title>Come Away</title><atom:summary type='text'>
CD:  London Madrigal Singers/London Baccholian Singers:  Vaughan Williams and Holst:  Choral Folksong Arrangements

It was purely by chance -- or  was it? -- that I sat down to write this entry on the 50th anniversary of the death of Ralph Vaughan Williams.

And it's also sheer coincidence that the disc packaging features the image of a decidedly relaxed-looking flock of sheep.

But it was a </atom:summary><link>http://www.olssons.com/classicalcorner/2008/08/come-away.html</link><author>noreply@blogger.com (Cate Hagman)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-35703297.post-3189412306876916297</guid><pubDate>Mon, 18 Aug 2008 03:39:00 +0000</pubDate><atom:updated>2008-08-21T08:24:44.649-05:00</atom:updated><title>Why, Miss Pettigrew, You're Beautiful</title><atom:summary type='text'>DVD: Miss Pettigrew Lives for a Day

I'm completely fascinated by movies that involve makeovers, which, I must confess, make for a pretty diverse group. They range from the 1980s drama Jacknife, with a scruffy Robert De Niro memorably transforming for girlfriend Kathy Baker, to Ernst Lubitsch's sexy pre-code The Smiling Lieutenant, in which Claudette Colbert performs an intervention for the </atom:summary><link>http://www.olssons.com/classicalcorner/2008/08/why-miss-pettigrew-youre-beautiful.html</link><author>noreply@blogger.com (Cate Hagman)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-35703297.post-6928877822230131261</guid><pubDate>Tue, 12 Aug 2008 03:21:00 +0000</pubDate><atom:updated>2008-08-14T09:49:36.090-05:00</atom:updated><title>Like Chocolate for...</title><atom:summary type='text'>CDs:  Juan Diego Florez: Voce d'Italia: Arias for Rubini and Sentimiento Latino

Whether you agonize over decisions or make them quickly, there remain certain things to which the answer invariably is "Yes.  Oh, yes, please." For example:

The Divine—yes, Divine, as in just and delicious—fair trade chocolate at the front counter of Olsson's.

A screening of Mamma Mia! at the Avalon Theatre, which </atom:summary><link>http://www.olssons.com/classicalcorner/2008/08/like-chocolate-for.html</link><author>noreply@blogger.com (Cate Hagman)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-35703297.post-1072957129415964602</guid><pubDate>Sun, 03 Aug 2008 16:23:00 +0000</pubDate><atom:updated>2008-08-07T13:07:36.269-05:00</atom:updated><title>Get Your Dame On</title><atom:summary type='text'>DVD: All About Eve (2-disc special edition)

You have a point—an idiotic one, but a point. -Addis on DeWitt
Remember great screenplays? Remember character actors?  Remember movies for adults?

I'd bet you do. The line for the cineplex forms that way, thank you very much, for anybody who wants to fork over 10 bucks for computer-generated images, explosions, and the studios' minimum weekend </atom:summary><link>http://www.olssons.com/classicalcorner/2008/08/get-your-dame-on.html</link><author>noreply@blogger.com (Cate Hagman)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-35703297.post-7122878999743164034</guid><pubDate>Tue, 29 Jul 2008 02:55:00 +0000</pubDate><atom:updated>2008-07-31T08:41:24.951-05:00</atom:updated><title>Is This a Private Sing-off, or Can Anybody Join?</title><atom:summary type='text'>CDs:Angela Gheorghiu and Roberto Alagna: Angela &amp; Roberto Forever
Various artists: Opera New Generation -- Greatest Arias
Various artists: Opera New Generation -- Great Duets
This week I'm focusing on operatic vocalists again, but don't let the any of the titles fool you or, for that matter, limit your expectations.

First of all, nothing lasts forever, not even the heat of summer. But that </atom:summary><link>http://www.olssons.com/classicalcorner/2008/07/is-this-private-sing-off-or-can-anybody.html</link><author>noreply@blogger.com (Cate Hagman)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-35703297.post-4179562708417408998</guid><pubDate>Tue, 22 Jul 2008 01:49:00 +0000</pubDate><atom:updated>2008-07-24T00:16:08.071-05:00</atom:updated><title>Three Degrees of Leon Fleisher</title><atom:summary type='text'>CD: The Essential Leon Fleisher






We spend a great portion of our lives either trying to recapture things, or setting up things to achieve. And in doing so, we often fail to live the now. Leon Fleisher
I'm getting a little tired of the media's constant emphasis on intergenerational warfare these days -- newer, louder, faster, younger! As if there's any substitute for experience.

Moreover, </atom:summary><link>http://www.olssons.com/classicalcorner/2008/07/three-degrees-of-leon-fleisher.html</link><author>noreply@blogger.com (Cate Hagman)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-35703297.post-4754177058372518998</guid><pubDate>Tue, 15 Jul 2008 01:04:00 +0000</pubDate><atom:updated>2008-07-17T09:06:56.799-05:00</atom:updated><title>America's Got... Handel</title><atom:summary type='text'>CDs:David Daniels: Handel: Operatic Arias
Renee Fleming: Handel: Opera and Oratorio Arias
Lorraine Hunt Lieberson: Handel: AriasThis is definitely one of those surreal weeks. I don't know about the rest of you, but I've been propelled from unannounced press conferences (That wasn't on our morning schedule!) to Metrobus meetings to a continuing series of articles of the decline of civilization, as</atom:summary><link>http://www.olssons.com/classicalcorner/2008/07/americas-got-handel.html</link><author>noreply@blogger.com (Cate Hagman)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-35703297.post-3150168854423336595</guid><pubDate>Tue, 08 Jul 2008 01:59:00 +0000</pubDate><atom:updated>2008-07-09T22:27:18.068-05:00</atom:updated><title>Rach the Steinway</title><atom:summary type='text'>CD: Denis Matsuev: Unknown Rachmaninoff

So this Siberian guy walks into a Swiss villa...

No, it's not the beginning of a rather lame joke.  It's what actually happens when you round up the winner of the 1998 International Tchaikovsky Competition and set him loose at the personal piano of another Russian composer, Rachmaninoff, with some early compositions by the same.

And so with this CD young</atom:summary><link>http://www.olssons.com/classicalcorner/2008/07/rach-steinway.html</link><author>noreply@blogger.com (Cate Hagman)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-35703297.post-6777225276009296770</guid><pubDate>Tue, 01 Jul 2008 03:40:00 +0000</pubDate><atom:updated>2008-07-10T08:30:12.182-05:00</atom:updated><title>Enigmas and Epics</title><atom:summary type='text'>DVD: A Passage to India (2-disc set)

In Kenneth Branagh's Midwinter's Tale (AKA In the Bleak Midwinter), Michael Maloney, as an actor-director brought to the end of his tether during rehearsals for a holiday production of Hamlet, explodes before his horrified cast and wonders, rather profanely, why there's any point in going on living.

At which one of his actors (Mark Hadfield) says </atom:summary><link>http://www.olssons.com/classicalcorner/2008/06/enigmas-and-epics.html</link><author>noreply@blogger.com (Cate Hagman)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-35703297.post-376671731384088435</guid><pubDate>Tue, 24 Jun 2008 03:12:00 +0000</pubDate><atom:updated>2008-06-25T11:28:58.172-05:00</atom:updated><title>Out, Out, Brief Candle!</title><atom:summary type='text'>CD: Bertrand de Billy/Bavarian Radio Symphony Orchestra with Anna Netrebko and Rolando Villazon: Puccini: La Boheme

I've got mortality on my mind, and art. It's been that kind of a week, or maybe even month, or perhaps even year. Ars longa, vita brevis, and all that. It's the beauty of the last half of June -- perfectly mild nights, that double rainbow across the sky last week -- and also the </atom:summary><link>http://www.olssons.com/classicalcorner/2008/06/out-out-brief-candle.html</link><author>noreply@blogger.com (Cate Hagman)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-35703297.post-7636932382507896288</guid><pubDate>Tue, 17 Jun 2008 02:46:00 +0000</pubDate><atom:updated>2008-06-18T13:34:24.164-05:00</atom:updated><title>Surviving the Coloratura Crisis</title><atom:summary type='text'>CD with DVD:  Natalie Dessay/Evelino Pidò with Concerto Köln: Italian Opera Arias

Is it the season for overreacting? Temperatures are soaring, water mains are breaking, the kids are out of school, everyone seems to be on a job hunt or vacation, and of course there are all those wedding invitations begging for an RSVP.

So if you crave a little escapism, it's entirely understandable. In fact, </atom:summary><link>http://www.olssons.com/classicalcorner/2008/06/surviving-coloratura-crisis.html</link><author>noreply@blogger.com (Cate Hagman)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-35703297.post-1405232540849786471</guid><pubDate>Sun, 08 Jun 2008 17:24:00 +0000</pubDate><atom:updated>2008-06-12T12:05:19.571-05:00</atom:updated><title>Happy Days Are Here... Just When?</title><atom:summary type='text'>Hyrbrid SACD: Frommermann: Music of the Comedian Harmonists

Some years back I ran across the German language version of "Happy Days Are Here Again," rendered as "Wochenend' und Sonnenschein"  ("Weekend and Sunshine"), recorded of course by the Comedian Harmonists back in Germany, and covered many years later by the King's Singers.

Depending on your generation, you might associate "Happy Days </atom:summary><link>http://www.olssons.com/classicalcorner/2008/06/happy-days-are-here-just-when.html</link><author>noreply@blogger.com (Cate Hagman)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-35703297.post-1210720758779170609</guid><pubDate>Tue, 03 Jun 2008 02:02:00 +0000</pubDate><atom:updated>2008-06-03T10:16:00.267-05:00</atom:updated><title>Can You Hear Me Now?</title><atom:summary type='text'>CD: Herbert von Karajan/Berlin Philharmonic: Beethoven: Complete Symphonies (1963)

The other day I had Classic Arts Showcase on and had gone into another room on some errand when I heard a performance by a soprano.  It was a most beguiling voice. I dropped whatever it was I was doing and headed back towards the TV to find that the soprano soloist in question was Gundula Janowitz (The clip was </atom:summary><link>http://www.olssons.com/classicalcorner/2008/06/can-you-hear-me-now.html</link><author>noreply@blogger.com (Cate Hagman)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-35703297.post-4627247941474601338</guid><pubDate>Tue, 27 May 2008 01:38:00 +0000</pubDate><atom:updated>2008-05-28T22:19:07.115-05:00</atom:updated><title>Black and White and Shades of Gray</title><atom:summary type='text'>DVD: 12 Angry Men: 50th Anniversary Collector's Edition

As I begin this blog, word has just come of the death of producer, director, and actor Sydney Pollack. The film world is poorer for his absence, and his work will be with us as long as movies are shown.  Consider this:

He directed Out of Africa, produced The Talented Mr. Ripley and Sense and Sensibility, and had his turn in front of the </atom:summary><link>http://www.olssons.com/classicalcorner/2008/05/black-and-white-and-shades-of-gray.html</link><author>noreply@blogger.com (Cate Hagman)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-35703297.post-130358758533146827</guid><pubDate>Tue, 20 May 2008 03:38:00 +0000</pubDate><atom:updated>2008-05-23T14:08:26.293-05:00</atom:updated><title>Tenor on the Verge...</title><atom:summary type='text'>CD: Placido Domingo with Miguel Roa conducting the Orquesta de la Comunidad de Madrid: Pasion Espanola

I'm on something of a Pedro Almodovar movie kick these days -- I have a lot of ground to make up between Women on the Verge of a Nervous Breakdown and Live Flesh -- and if you have seen any of his films, you probably remember how popular songs insinuate themselves into those trademark Almodovar</atom:summary><link>http://www.olssons.com/classicalcorner/2008/05/tenor-on-verge.html</link><author>noreply@blogger.com (Cate Hagman)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-35703297.post-182014797648931265</guid><pubDate>Sat, 03 May 2008 21:10:00 +0000</pubDate><atom:updated>2008-05-07T23:04:45.927-05:00</atom:updated><title>We All Want to Change the World</title><atom:summary type='text'>CD: Rebel — Corellisante: Sonatas for Two Violins &amp; Basso Continuo by Corelli &amp; Telemann

I'll confess I'm being dragged kicking and screaming into the Brave New World. Cell phone? Don't have one. Text messaging? No. Wearing flip-flops to work? Only if I get a job as a lifeguard (not likely, with my 30 SPF habit).

But this I like: Mozart shakes up the Saudis. Now there's some societal upheaval I</atom:summary><link>http://www.olssons.com/classicalcorner/2008/05/we-all-want-to-change-world.html</link><author>noreply@blogger.com (Cate Hagman)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-35703297.post-7755647590174972144</guid><pubDate>Mon, 28 Apr 2008 03:25:00 +0000</pubDate><atom:updated>2008-05-01T12:09:16.154-05:00</atom:updated><title>Look Alive, People!</title><atom:summary type='text'>CDs:Piffaro: Canzoni e DanzeNathan Gunn: Just Before SunrisePeople, get ready. May's a-coming.

This evening Classic Arts Showcase once again ran the clip of the King's Singers performing "O Lusty May," which is as choice a bit of synchronicity as I've experienced, since that's the precise title of an upcoming concert by the Peabody Renaissance Ensemble. Under the sure direction of Mark Cudek, </atom:summary><link>http://www.olssons.com/classicalcorner/2008/04/look-alive-people.html</link><author>noreply@blogger.com (Cate Hagman)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-35703297.post-1092837914112221892</guid><pubDate>Tue, 22 Apr 2008 02:41:00 +0000</pubDate><atom:updated>2008-04-23T00:42:11.317-05:00</atom:updated><title>Here's the Pitch.</title><atom:summary type='text'>

DVD: Eight Men Out (20th Anniversary Edition)

I guess spring is finally here, and you know what that means.
Play ball!
Even the pope couldn't stay out of baseball stadiums during his recent visit. Did you notice?
But if your game is rained out -- a very real possibility the last few days, when I swear I saw a man collecting two of each kind of beast -- then it's time to break out the baseball </atom:summary><link>http://www.olssons.com/classicalcorner/2008/04/heres-pitch.html</link><author>noreply@blogger.com (Cate Hagman)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-35703297.post-5169424587392804381</guid><pubDate>Mon, 14 Apr 2008 03:57:00 +0000</pubDate><atom:updated>2008-04-15T23:23:48.999-05:00</atom:updated><title>And I'm Not Going to Take this Anymore!</title><atom:summary type='text'>

DVD: Sir Colin Davis/Royal Opera House Covent Garden Orchestra with Damrau, Keenlyside, and others: Mozart: The Magic Flute (Naxos)




Why does it take me so long to catch up with things? First there was last week's blunder with the Terezin/Theresienstadt CD, which, as I had forgotten, is listed on Byron, Olsson's computer system, as The Theresienstadt Project. Apologies all round to any staff</atom:summary><link>http://www.olssons.com/classicalcorner/2008/04/and-im-not-going-to-take-this-anymore.html</link><author>noreply@blogger.com (Cate Hagman)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-35703297.post-3300622110026563690</guid><pubDate>Tue, 08 Apr 2008 01:47:00 +0000</pubDate><atom:updated>2008-04-08T23:54:59.998-05:00</atom:updated><title>"I Shall See You Again."</title><atom:summary type='text'>Anne Sofie von Otter, Christian Gerhaher, Bengt Forsberg, and Daniel Hope: Terezin/Theresienstadt

It is rather daunting to approach this new release from Deutsche Grammophon, not because of the material itself -- indeed, it is full of surprises and charm -- but rather because  all but two of the composers represented died in the Holocaust.

Most of you are likely familiar with the story of </atom:summary><link>http://www.olssons.com/classicalcorner/2008/04/i-shall-see-you-again.html</link><author>noreply@blogger.com (Cate Hagman)</author></item><item><guid isPermaLink='false'>tag:blogger.com,1999:blog-35703297.post-5643176587934873959</guid><pubDate>Tue, 01 Apr 2008 03:34:00 +0000</pubDate><atom:updated>2008-04-03T13:09:45.631-05:00</atom:updated><title>The Power of Compassion -- and of a Curse</title><atom:summary type='text'>CD:  Richard Bonynge/London Symphony Orchestra with Milnes, Pavarotti, and Sutherland:  Verdi:  Rigoletto


The Confessional  for the Culturally Clueless is now open, and we're ready to hand out penances.   Come on now; it's not so bad.  I've been there a few times myself, mispronouncing  composers' and singers' names, not knowing one Dutch painter from another.  You know who you are, you movie </atom:summary><link>http://www.olssons.com/classicalcorner/2008/03/power-of-compassion-and-of-curse.html</link><author>noreply@blogger.com (Cate Hagman)</author></item></channel></rss>
